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RSG Performance Group

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Mahmood Kapustin
Mahmood Kapustin

Colors High Quality


The following is a list of colors. A number of the color swatches below are taken from domain-specific naming schemes such as X11 or HTML4. RGB values are given for each swatch because such standards are defined in terms of the sRGB color space. It is not possible to accurately convert many of these swatches to CMYK values because of the differing gamuts of the two spaces, but the color management systems built into operating systems and image editing software attempt such conversions as accurately as possible.




Colors



When it comes to building a custom color palette, you can either configure your own custom colors from scratch if you know exactly what you want, or curate your colors from our extensive included color palette if you want a head start.


White tile is historically the most popular color for tile and continues to be our best selling and most versatile color. We offer 13 colors of white ceramic tile in gloss, matte and satin finishes and an option with black patine.


Ready to find the perfect hue? Explore our interior and exterior paint colors by color family or curated color palettes to get inspired. We also offer easy-to-use tools and color samples to help you see which hues look best in your space. Whether you're painting your front door or adding an accent wall to your home office, we have all the color solutions to bring your vision to life.


Most swatches have colors from 100 to 900 in increments of one hundred, plusthe color 50. The smaller the number, the more pale the color. The greaterthe number, the darker the color. The accent swatches (e.g. redAccent) onlyhave the values 100, 200, 400, and 700.


These colors are identified by their transparency. The low transparencylevels (e.g. Colors.white12 and Colors.white10) are very hard to see andshould be avoided in general. They are intended for very subtle effects.


Q Premium Quartz Countertops are available in a wide range of patterns, including realistic marble-looks, modern concrete-looks, and nature-inspired looks. Quartz countertops colors range from icy white tones to midnight black tones. Q Premium Quartz never needs sealing; it is durable and manufactured to last a lifetime. Choose the contemporary quartz countertop color you love!


LumaLuxe is an exclusive MSI formulation which enhances how light interacts with the countertop surface, pushing the boundaries of realism with increased depth, dramatic veining, and more immersive colors.


A color can be applied to an Ionic component in order to change the default colors using the color attribute. Notice in the buttons below that the text and background changes based on the color set. When there is no color set on the button it uses the primary color by default.


Each color consists of the following properties: a base, contrast, shade, and tint. The base and contrast colors also require a rgb property which is the same color, just in rgb format. See The Alpha Problem for an explanation of why the rgb property is also needed. Select from the dropdown below to see all of the default colors Ionic provides and their variations.


Design Advice: Light colors work great on houses with a Colonial inspiration. White houses look beautiful on a large green lawn. A pastel A-frame cottage can look sweet and charming. White is always lovely for trim.


The system defines colors that look good on various backgrounds and appearance modes, and can automatically adapt to vibrancy and accessibility settings. People are familiar with the system colors, and using them is a convenient way to make your experience feel at home on the device.


You may also want to use custom colors to enhance the visual experience of your app or game and express its unique personality. The following guidelines can help you use color in ways that people appreciate, regardless of whether you use system-defined or custom colors.


Consider how artwork and translucency affect nearby colors. Variations in artwork sometimes warrant changes to nearby colors to maintain visual continuity and prevent interface elements from becoming overpowering or underwhelming. Maps, for example, displays a light color scheme when in map mode but switches to a dark color scheme when in satellite mode. Colors can also appear different when placed behind or applied to a translucent element like a toolbar.


If your app lets people choose colors, prefer system-provided color controls where available. Using built-in color pickers provides a consistent user experience, in addition to letting people save a set of colors they can access from any app. For developer guidance, see NSColorPanel (macOS), and UIColorWell and UIColorPickerViewController (iOS, iPadOS, and Mac Catalyst).


Avoid using colors that make it hard to perceive content in your app. For example, insufficient contrast can cause icons and text to blend with the background and make content hard to read, and people who are color blind might not be able to distinguish some color combinations. For guidance, see Color and effects.


Consider how the colors you use might be perceived in other countries and cultures. For example, red communicates danger in some cultures, but has positive connotations in other cultures. Make sure the colors in your app send the message you intend.


Avoid hard-coding system color values in your app. Documented color values are for your reference during the app design process. The actual color values may fluctuate from release to release, based on a variety of environmental variables. Use APIs like Color to apply system colors.


iOS and macOS also define sets of dynamic system colors that match the color schemes of standard UI components and automatically adapt to both light and dark appearances. Each dynamic color is semantically defined by its purpose, rather than its appearance or color values. For example, some colors represent view backgrounds at different levels of hierarchy and other colors represent foreground content, such as labels, links, and separators.


Avoid redefining the semantic meanings of dynamic system colors. To ensure a consistent experience and ensure your interface looks great when the appearance of macOS changes in the future, use dynamic system colors as intended.


Use wide color to enhance the visual experience on compatible displays. Wide color displays support a P3 color space, which can produce richer, more saturated colors than sRGB. As a result, photos and videos that use wide color are more lifelike, and visual data and status indicators that use wide color can be more meaningful. When appropriate, use the Display P3 color profile at 16 bits per pixel (per channel) and export images in PNG format. Note that you need to use a wide color display to design wide color images and select P3 colors.


Sunlight reaches Earth's atmosphere and is scattered in all directions by all the gases and particles in the air. Blue light is scattered in all directions by the tiny molecules of air in Earth's atmosphere. Blue is scattered more than other colors because it travels as shorter, smaller waves. This is why we see a blue sky most of the time.


In the real world, colors can take any known color value with each object having its own color(s). In the digital world we need to map the (infinite) real colors to (limited) digital values and therefore not all real-world colors can be represented digitally. Colors are digitally represented using a red, green and blue component commonly abbreviated as RGB. Using different combinations of just those 3 values, within a range of [0,1], we can represent almost any color there is. For example, to get a coral color, we define a color vector as:


The color of an object we see in real life is not the color it actually has, but is the color reflected from the object. The colors that aren't absorbed (rejected) by the object is the color we perceive of it. As an example, the light of the sun is perceived as a white light that is the combined sum of many different colors (as you can see in the image). If we would shine this white light on a blue toy, it would absorb all the white color's sub-colors except the blue color. Since the toy does not absorb the blue color part, it is reflected. This reflected light enters our eye, making it look like the toy has a blue color. The following image shows this for a coral colored toy where it reflects several colors with varying intensity:


You can see that the white sunlight is a collection of all the visible colors and the object absorbs a large portion of those colors. It only reflects those colors that represent the object's color and the combination of those is what we perceive (in this case a coral color).


We can see that the toy's color absorbs a large portion of the white light, but reflects several red, green and blue values based on its own color value. This is a representation of how colors would work in real life. We can thus define an object's color as the amount of each color component it reflects from a light source. Now what would happen if we used a green light?


As we can see, the toy has no red and blue light to absorb and/or reflect. The toy also absorbs half of the light's green value, but also reflects half of the light's green value. The toy's color we perceive would then be a dark-greenish color. We can see that if we use a green light, only the green color components can be reflected and thus perceived; no red and blue colors are perceived. As a result the coral object suddenly becomes a dark-greenish object. Let's try one more example with a dark olive-green light:


In the upcoming chapters we'll be creating interesting visuals by simulating real-world lighting making extensive use of colors. Since now we'll be using light sources we want to display them as visual objects in the scene and add at least one object to simulate the lighting from.


Every gas shines with its own special colors of light. These colors are like a fingerprint because no two gases give off exactly the same colors. Streetlights filled with sodium gas give off a dark yellow light. Only sodium atoms give off that particular shade of yellow. Orange neon signs are filled with pure neon gas. Other colors of neon signs are actually neon mixed with other types of gases, like helium or argon. 041b061a72


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